Review by: Sophie Rose Phillips
Grooving and strutting like an ethereal bird
Upon entering the cool oasis of The Lych Gate Tavern's upstairs lounge, we are greeted by the smooth vibes of blues music, an unexpected setting of the scene to ease us into the space. I found myself tapping along and relaxing as the crowds gathered. A wide range of people fill the room, settling into the created atmosphere. The expectant crowd merrily waits for the rhythm of the music to carry into words. As charming as he is eccentric, Gerald really started a party for us. Upon these lifted spirits he begins his oration, vibrantly attired and fizzing with energy as he begins to share his story.
Confidently, we are introduced to this brand new piece and the laughs start immediately. Gerald's humble persona inviting us to join in fully with his humorous and honest tale of his unique life experiences throughout the Christian rock movement of the 70s, an era I had previously known little about but was transported to. The energy raises as we are played music that inspired his journey, standing crucified in a pop culture trance we are taken through the intensity of his own awakenings. Holding the space, grooving and strutting like an ethereal bird, we are treated to a series of shamanic dances, wild and free, in contrast to the serious, emotional nature of the themes. The musical interludes act as releases for the heartfelt confessions of youth, vulnerable expressions laid bare as a backdrop to a story of music, love and God.
The final display of 'Pogoing' shook with energy usually only seen at the end of the night. It was drawn up freely and shared with tender revelation. This clear and concise performance was naturally timed for humour and certainly left me feeling as if I'd been spun around myself.